On Chesil Beach editor Nick Fenton discusses his role and how, no matter the style or genre, everything he does stems from the actors. Read the rest of our On …
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stage vs screen
Dominic Cooke: ‘Every step toward the bed is so charged’
On Chesil Beach director Dominic Cooke discusses using his experience as a theatre director while still relishing the tools that are unique to cinema. Read …
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Dominic Cooke talks On Chesil Beach: Part 1
For our special TIFF17 coverage of On Chesil Beach, we interview Dominic Cooke about the value of rehearsing actors for film and minimizing cuts. Read part 2 of …
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Journey’s End is a thoughtful, modern screen adaptation
Saul Dibb’s adaptation of the acclaimed play Journey's End sees the source material through a modern lens and makes use of the intimacy unique to the cinematic …
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Sally Potter’s The Party is a dynamic, witty ensemble film
The premise of The Party — seven characters trapped in a house, for 71 minutes, as secrets are revealed and lives potentially irreparably changed — sounds like …
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Davies’ adaptation of The Deep Blue Sea is a memory film with an unreliable narrator
In Terence Davies' screen adaptation of Rattigan's The Deep Blue Sea, Davies plunges us into Hester's memories, nudging us to accept her interpretation of …