• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • Shop
  • Join Reel Ruminators

Toronto International Film Festival

Alex Heeney / September 12, 2021

Benediction thoughtfully depicts a community of gay men

Benediction may be Terence Davies’s gayest film yet: a character study of a WWI poet who keeps trying to reinvent himself and find solace.

Alex Heeney / September 12, 2021

‘The more we went inside Lise’s perspective, the better it got’: Tea Lindeburg on As in Heaven

Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark.

Alex Heeney / September 11, 2021

TIFF Review: Learn to Swim is treading water

Thyrone Tommy’s feature debut is all vibe with little substance but it nails the milieu of twentysomething jazz musicians in Canada.

Alex Heeney / September 11, 2021

Oscar Peterson: Black + White does a disservice to its subject

Barry Avrich’s documentary Oscar Peterson: Black + White barely scratches the surface of the great jazz pianist’s life, music, and legacy.

A still from Aloners, in which a young woman sits at a table, her head downturned, her face passive. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Aloners is a melancholy ode to society’s loners

South Korean filmmaker Hong Seong-eun’s Aloners is a low-key film about loneliness and how capitalism takes advantage of depressed people.

A still from Scarborough in which three young kids lie down on a colourful floor, gazing happily at the ceiling. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Scarborough is one of the festival’s most stirring crowdpleasers

Scarborough, from directors Rich Williamson and Shasha Nakhai, is a big-hearted portrait of families in a low-income neighbourhood.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 11
  • Page 12
  • Page 13
  • Page 14
  • Page 15
  • Interim pages omitted …
  • Page 49
  • Go to Next Page »

Footer

Support Seventh Row

  • Film Adventurer Membership
  • Cinephile Membership
  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions
  • Workshops & Masterclasses
  • Shop

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2025 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account