Céline Devaux’s feature debut, Everybody Loves Jeanne, is wild, hilarious, sweet, and chaotic: a delightful anti-rom-com. It screened in the Cannes sidebar Semaine de la Critique.
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
Cannes Review: Chie Hayakawa’s Plan 75 is a devastatingly unsentimental triumph
Chie Hayakawa’s Plan 75 is a plea for empathy amidst broken systems that leave the most vulnerable and elderly Regard sidebar at Cannes 2022.
Women at Cannes Ep. 2: Kelly Reichardt at Cannes 2022
On today’s episode, we look back on the career of one of our favourite filmmakers, Kelly Reichardt, and ask why it’s taken until her 8th feature, Showing Up, for her to get a slot in the Cannes Competition.
Women at Cannes Ep. 1: A podcast on the history of women directors at Cannes
We kick off our Women at Cannes podcast season with an episode on the history of women at Cannes and uncover a number of surprising stats.
Showing Up: What we know so far about Kelly Reichardt’s new film
All we know so far about Kelly Reichardt’s upcoming eighth feature, Showing Up, which stars Michelle Williams.
Palm Trees and Power Lines is a harrowing debut from Jamie Dack
Jamie Dack’s Palm Trees and Power Lines finds a film language to depict sexual assault and coercion in a way that keeps us emotionally involved with our heroine, without reveling in the horrors of the abuse