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Women Directors

In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.

Seventh Row Editors / March 2, 2021

Ep. 81: In Their Own Words: Fiction Directors

We’ve gathered a panel of editors who worked on our new ebook, In their Own Words: Fiction Directors, to talk about what is in the book, how it was made, and why it’s so exciting.

A man hangs up a French flag on an outdoor pole in Nous. The text on the image reads, 'Review'.

Orla Smith / March 2, 2021

Berlinale Review: Alice Diop documents the Paris suburbs in Nous

Alice Diop’s documentary Nous is a portrait of Paris, told through intimate vignettes of citizens living in the suburbs.

A still from Spoor, next to a headshot of director Agnieszka Holland. The text on the image reads, 'Interview'.

Alex Heeney / March 1, 2021

Agnieszka Holland on the secrets of her filmmaking process

For the North American release of her 2017 film, Spoor, Agnieszka Holland goes deep on her filmmaking process, working with actors, and how she develops a film’s aesthetic.

A still of Ana Katz in front of a still of The Dog Who Wouldn't Be Quiet. The text on the image reads 'Interview'.

Alex Heeney / February 25, 2021

The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance

Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.

Alex Heeney / February 23, 2021

Shatara Michelle Ford’s Test Pattern explores power dynamics

Shatara Michelle Ford’s Test Pattern explores power dynamics, in the lead up to and aftermath of a sexual assault, and how a couple copes.

A young man and woman smile at someone off camera in this still from Aristocrats. The text on the image reads, 'Review'.

Orla Smith / February 22, 2021

IFFR Review: Aristocrats compares two women’s freedom in class-conscious Tokyo

Yukiko Sode’s Aristocrats, which world premiered at the International Film Festival of Rotterdam (IFFR), follows two Tokyo women of different social classes who are both romantically connected to the same man.

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