First time filmmaker Claire Oakley discusses the dream that inspired her stylised, genre bending coming-of-age film, Make Up.
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
Seventh Row picks the 30 best films of 2020
Seventh Row editors Alex Heeney and Orla Smith pick the 30 best films of 2020, from First Cow to My Prince Edward.
Ep. 73: Promising Young Woman and The Assistant: Explorations of rape culture
This week on the podcast we discuss two explorations of rape culture that approach the topic in very different way. We look at Emerald Fennell’s stylish revenge thriller Promising Young Woman and Kitty Green’s The Assistant, a portrait of a young woman working in a misogynistic office environment.
In Farewell Amor, Ekwa Msangi uses Angolan dance to explore family bonds
Ekwa Msangi discusses her debut feature, Farewell Amor, a triptych about an family of Angolan immigrants who reunite in New York City.
Charlène Favier’s Slalom is a complex exploration of abuse
Charlène Favier’s Cannes-selected debut, Slalom, is a tense pas-de-deux between a 15-year-old professional skiing star, Lyz (Noée Abita) and her coach, Fred (Jérémie Renier).
Charlatan draws parallels between a faith healer and communism
Agnieszka Holland’s Charlatan tells the story of Czech herbalist and healer Jan Mikolášek to draw parallels with post-war communism.