Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
TIFF Review: Violation starts out well but disappoints
Violation is a cottage-country-Canada twist on the rape-revenge genre, which explores consent and the limits of revenge.
TIFF Review: Chloé Zhao’s Nomadland is romantic to a fault
Chloé Zhao’s Nomadland is her most technically accomplished, accessible, and sadly, conventional and sentimental work to date.
TIFF Interview: Sophy Romvari on Still Processing and personal cinema
Sophy Romvari’s deeply personal documentary short, Still Processing, is a triumph of personal cinema. Read about how Romvari made the film…
TIFF Interview: Reclaiming transmasculine history in No Ordinary Man
Transgender jazz musician Billy Tipton’s life was distorted by the media after his death. No Ordinary Man aims to correct that narrative.
Natasha Kermani and Brea Grant on the horror of daily misogyny in Lucky
Director Natasha Kermani and writer-star Brea Grant discuss their slasher horror-comedy Lucky, a film that makes the horrific impact of daily microaggressions visible.