Chloé Zhao discusses The Rider and making a feminist film on masculinity. Read our interview with cinematographer Joshua James Richards on shooting the film. Winner of the top prize at Directors’ Fortnight, Chloé Zhao’s The Rider follows a young cowboy, Brady Blackburn (Brady Jandreau), forced to reconsider his dreams and priorities after a rodeo incident […]
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
Claire Simon: ‘It’s not that it’s realistic but that it’s the truth’
Simon talks about making her new documentary, Premières Solitudes, tackling teenage frustrations, being truthful on camera, and the position of the adult filmmaker vis-a-vis her young subjects.
‘You only address colonialism with solemn seriousness if you don’t experience it daily’: Lucrecia Martel on Zama
Argentine director Lucrecia Martel discusses Zama, colonialism, violent masculinity, and how absurdist humour is a potent way to criticize both.
Ramsay’s characters escape trauma through sensations
Lynne Ramsay’s features centre on characters dealing with trauma by losing themselves in sensations, not language. This is an excerpt from our ebook You Were Never Really Here: A Special Issue, which can be purchased here.
A hitman more helpless than heroic
You Were Never Really Here traps us inside hitman Joe’s mind — but he’s an unreliable narrator who is far more helpless than he realises. This is the sixth feature in our Special Issue on You Were Never Really Here.
Producer Jim Wilson: making YWNRH was a ‘crazy fever dream’
Producer Jim Wilson details the wild journey from pre-production to Cannes involved in making You Were Never Really Here. This is an excerpt from the ebook You Were Never Really Here: A Special Issue which you can purchase here.