The premise of The Party — seven characters trapped in a house, for 71 minutes, as secrets are revealed and lives potentially irreparably changed — sounds like a play, but Sally Potter tells the story in a uniquely cinematic way.
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
Sally Potter on The Party‘s confined, dynamic spaces
Sally Potter discusses getting us into the characters’ heads, the importance of set design for dramatic tension, and getting emotionally charged yet very funny performances from her actors. Read our review of the film here.
Leilah Weinraub on exalting hedonism in Shakedown
Leilah Weinraub discusses Shakedown, waiting for the right climate to release her film on black lesbian club nights, the pitfalls of classic documentary practice, and trusting your audience.
Agnès Varda’s Faces Places re-sensitizes us to the internet
In her new documentary, Faces Places, French New Wave director Agnès Varda interrogates the boundary between the internet and real life — an interest that is reflected in Varda’s personal Instagram.
‘I don’t go with a game plan’: Director Sofia Bohdanowicz on Maison du Bonheur
Director Sofia Bohdanowicz discusses her process, representing older women in film, and photographing lived in spaces in her new film Maison du Bonheur.
Summer 1993 captures how children process grief
Carla Simón’s outstanding debut feature, Summer 1993, chosen as Spain’s 2018 Foreign Language Oscar submission, explores the contradictory ways in which six-year-old Frida processes the deaths of her parents.