This weekend, SFIFF showcased a variety of good films by female directors from around the world, tackling stories as diverse as the inner-workings of The New Yorker cartoon department (Very Semi-Serious), fidelity in romantic relationships (Fidelio: Alice’s Odyssey), and the sometimes fraught relationship between mothers and their children (Goodnight Mommy and The Second Mother).
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
Advantageous director Jennifer Phang talks bringing feminist sci-fi to the screen
Writer-director Jennifer Phang’s Netflix film Advantageous is a feminist science fiction film for lovers of French New Wave cinema and intimate family dramas. It deals with issues of race, motherhood, and economic hardship.
Weekend 1 at SFIFF: Mr. Holmes, Entertainment, and Sand Dollars
Set in the Dominican Republic, Sand Dollars follows a local twenty-something Noeli (Yanet Mojica) who makes her living by sleeping with the rich European tourists.
Women shine behind the camera at SFIFF58
One of the great pleasures of attending the San Francisco International Film Festival is the ability to binge on films by female auteurs, which are much harder to come by throughout the year. This year, you can catch Helen Hunt’s sophomore feature, Ride, a follow-up to her wonderful debut “Then She Found Me.” It’s also […]
Gett: The Trial of Viviane Amsalem: Will she ever get her Gett?
Ronit and Shlomi Elkmbetz direct this grueling, heartbreaking courtroom drama. Gets: The Trial of Viviane Amsalem, which follows a divorce case over five years, all from within the courtroom itself.
SFFS Artist-in-Residence Sally El Hosaini on writing and directing My Brother the Devil
Sally El Hosaini’s directorial debut, My Brother the Devil, is a touching and sensitive story of two Arab brothers in Hackney, London. During her sojourn in San Francisco as the San Francisco Film Society’s Artist-in-Residence, I sat down with El Hosaini to discuss her writing process, working with non-actors, her shoot, and her approach to the film’s aesthetic. […]