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World Cinema

Brett Pardy / June 7, 2022

Cannes Review: Naomi Kawase’s Official Film of the Olympic Games Tokyo 2020 Side A

Naomi Kawase’s Official Film of the Olympic Games Tokyo 2020 Side A avoids the usual tropes and cliches of sports films, focusing instead on how the athletes are rounded people, as well as the beauty fleetingness of athletic achievement

Alex Heeney / May 24, 2022

Cannes: Erige Sehiri’s Under the Fig Trees is a thoughtful day Tunisian drama

Set over the course of one day, Erige Sehiri’s narrative feature debut Under the Fig Trees (Sous les figues) is a thoughtful ensemble film about the group of workers in a Tunisian fig orchard.

Alex Heeney / April 15, 2022

Mutzenbacher and Man Caves explore men’s views on sex and love

In both Mutzenbacher and Man Caves, women directors interview a slew of men about their thoughts on sex and love.

Alex Heeney / March 23, 2022

Oscar nominee Eskil Vogt on writing The Worst Person in the World

Oscar nominee Eskil Vogt discusses co-writing The Worst Person in the World, writing naturalistic dialogue, and more.

In a still from Girl Picture, one teenage girl leans on her friend as both look in the mirror. Next to this still is a purple block featuring white text that reads, 'Quick thougts,' above a cartoon drawing of a pen drawing a line on a page.

Orla Smith / January 24, 2022

Quick thoughts from Sundance: Girl Picture is a World Dramatic highlight

Alli Haapasalo’s Girl Picture is a delightful Finnish coming-of-ager which takes teenage girls, their sexuality, and their trauma seriously.

Alex Heeney / January 23, 2022

Happening looks at the culture of shame around abortion

Audrey Diwan’s Happening follows a young woman’s journey in the 1960s to even find a backstreet abortionist amidst a culture of shame and silence.

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