• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • Shop
  • Join Reel Ruminators

World Cinema

Seventh Row Editors / January 26, 2021

Ep. 76: Abderrahmane Sissako’s Bamako and Timbuktu

On this episode we look at two of Malian director Abderrahmane Sissako’s films, the newly restored Bamako, and one of our favourite films of the 2010s, Timbuktu. We also discuss locating African cinema and challenges in distribution and preservation.

A headshot of Ekwa Msangi in front of a still from her film, Farewell Amor.

Orla Smith / December 18, 2020

In Farewell Amor, Ekwa Msangi uses Angolan dance to explore family bonds

Ekwa Msangi discusses her debut feature, Farewell Amor, a triptych about an family of Angolan immigrants who reunite in New York City.

Seventh Row Editors / December 15, 2020

Ep. 70: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction

We delve into one of the best films of the year, Another Round, and the best film of the last decade, Oslo, August 31st, and their depiction on men’s mental health and addiction.

A still from Slalom, in which a girl holding ski equipment looks disturbed, her face shrouded in darkness. The text on the image says: Review.

Alex Heeney / December 11, 2020

Charlène Favier’s Slalom is a complex exploration of abuse

Charlène Favier’s Cannes-selected debut, Slalom, is a tense pas-de-deux between a 15-year-old professional skiing star, Lyz (Noée Abita) and her coach, Fred (Jérémie Renier).

A still from Charlatan, in which a man holds up a small glass of urine to the light and stares at it, while another main watches him from behind. The text on the image says: Review.

Alex Heeney / December 10, 2020

Charlatan draws parallels between a faith healer and communism

Agnieszka Holland’s Charlatan tells the story of Czech herbalist and healer Jan Mikolášek to draw parallels with post-war communism.

Alex Heeney / November 26, 2020

Guillaume Canet shines in Au nom de la terre (In the Name of the Land)

Au nom de la terre (In the Name of the Land) tracks farmer Pierre Jareau as he struggles with increasingly crippling debt and his mental health declines.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 23
  • Page 24
  • Page 25
  • Page 26
  • Page 27
  • Go to Next Page »

Footer

Support Seventh Row

  • Film Adventurer Membership
  • Cinephile Membership
  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions
  • Workshops & Masterclasses
  • Shop

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2025 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account