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Archives for May 2016

League of Exotique Dancers, Rama Rau

Laura Anne Harris / May 28, 2016

HotDocs Review: League of Exotique Dancers celebrates burlesque stars of the past

Director Rama Rau’s League of Exotique Dancers follows several subjects who have been asked to perform at a special Burlesque Hall of Fame show in Las Vegas. The film screens at the Bloor HotDocs cinema on May 29, May 30, and June 2.

Rebecca Miller, Maggie's Plan

Alex Heeney / May 27, 2016

Writer-director Rebecca Miller discusses her great remarriage screwball comedy Maggie’s Plan

Maggie’s Plan writer-director Rebecca Miller discusses creating a modern take on A Midsummer Night’s Dream, finding a frothy tone, fitting her script to the actors, the importance of two-shots, and the art of costume and production design.

American Honey, Now Playing

Elena Lazic / May 25, 2016

Cannes Review: American Honey discards real emotions for pointless objectification

Though American Honey took home the Jury Prize at the Cannes Film Festival, our Cannes correspondent Elena Lazic found it cliched and problematic — a disappointment from the very talented Arnold.

Tali Shalom-Ezer, Princess

Alex Heeney / May 25, 2016

Israeli auteur Tali Shalom-Ezer discusses Princess

Princess is a sensitive, intimate film about 12-year-old Adar whose curiosity about sex gets confused when she receives sexual attention from her still loving step-father. Purchase the film on iTunes or watch it on Vimeo OnDemand.

A Bigger Splash

Alex Heeney / May 20, 2016

Desire is a dangerous dance in A Bigger Splash

In this review of A Bigger Splash, we explore Luca Guadagnino’s erotic joyride, which is about the breaking point: what we think we want, and what happens when we get it — or don’t. 

The Lobster, Yorgos Lanthimos, Ariane Labed

Alex Heeney / May 19, 2016

Writer-director Yorgos Lanthimos and actress Ariane Labed talk The Lobster

Yorgos Lanthimos discusses his approach to shooting The Lobster, designing the sound, and blocking the action. Actress Ariane Labed explains how she prepared for the part and how training as a dancer influenced her performance. We named Rachel Weisz’s performance in the film one of the best of 2016.

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