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Home / Articles / Essays / You Were Never Really Here / Lynne Ramsay: ‘Beautiful images cancel each other out’

Orla Smith / March 26, 2018

Lynne Ramsay: ‘Beautiful images cancel each other out’

Lynne Ramsay talks subverting hitman archetypes with gentleness, humour, and beauty. This is the first feature in our Special Issue on You Were Never Really Here now available as an eBook.

Lynne Ramsay, You Were Never Really Here, Joaquin Phoenix, Ekaterina Samsonov
Joaquin Phoenix and Ekaterina Samsonov in You Were Never Really Here

Lynne Ramsay’s fourth feature, You Were Never Really Here, is a brutal thriller that breaks down genre boundaries. The premise — PTSD-stricken hitman Joe (Joaquin Phoenix) is tasked with saving a young girl from sex traffickers — probably sounds familiar. Narratives of male saviours rescuing female innocents are baked into pop culture: if you’ve seen Taxi Driver, Taken, or Drive, then you know how these things go. But Ramsay’s film sets itself apart: amidst the violence is gentleness, beauty, and a delicacy and variety of style.

At the Glasgow Film Festival, I talked to Ramsay about making a subversive film, depicting violence, and her approach to visual storytelling.

Seventh Row (7R): Joe is a very stoic and emotionally repressed character, on the surface, but you subvert that common characterisation by revealing gentleness underneath. How did you approach giving us glimpses of his softer side?

Lynne Ramsay (LR): Casting Joaquin Phoenix. I felt he would bring a vulnerability. Everything we try to do is to humanise [Joe], to not go down that route of the cliché of these kinds of movies — but at the same time, make a really compelling and propulsive movie. For me, it was about bringing that character to life by showing his flaws, his vulnerabilities, his humour, his breakdown…

Get the eBook to read the article

Read the rest of our Special Issue on You Were Never Really Here here >>

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Filed Under: Film Interviews, Interviews with Female Directors, You Were Never Really Here Tagged With: Directing, Female Directors, masculinity, Unreliable Narrators, ywnrh

Orla Smith

Orla is an Associate Editor of Seventh Row. She is a freelance writer based near London.

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