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Home / Essays / BFI Flare 2020 highlights: Disclosure and more trans stories

Orla Smith / April 25, 2020

BFI Flare 2020 highlights: Disclosure and more trans stories

BFI Flare 2020 took place entirely online. Orla Smith highlights Dungarees (dir. Abel Rubinstein) and Disclosure: Trans Lives on Screen (dir. Sam Feder) as the best of the online festival.

Disclosure Trans Lives on Screen, Dungarees, BFI Flare 2020
BFI Flare 2020 highlights: Disclosure and more trans stories.

Europe’s largest LGBTQ+ film festival, BFI Flare, is usually an event that brings palpable excitement from my fellow film critics and film fans in London. It’s a joyous and lively celebration of queer cinema in all its diversity. It’s a place for films that ask specific questions about gender and sexuality and provide nuanced answers, as well as films that present queer people dealing with challenges completely unrelated to their queerness. 

This year, the physical festival was cancelled (as so many events have been) due to the SARS-Cov-2 pandemic. The BFI tried to transport the spirit of the festival, and some of its films, to online platforms, even encouraging fans of the festival to partake in their legendary closing night party from their own living rooms and post about it on social media. But given the general low spirits of the nation (and the world) at the moment, as well as the high competition from hundreds of other organisations asking punters for online participation, it just wasn’t the same. BFI Flare was sorely missed this year, but I did manage to catch some of the shorts and features that played in online festival theatres and deserve a spotlight.


Dungarees

Dungarees, Abel Rubinstein, BFI Flare 2020
Abel Rubinstein’s Dungarees is one of the best films of the BFI Flare 2020.

Abel Rubinstein’s Dungarees, is a charming, casual day-in-the-life study of Blake, a gay trans man who, after years spent transitioning and battling gender dysphoria, finally feels comfortable in his masculine presentation. After years of being asked to prove to people that he’s a man, Blake struggles with expressing himself in ways that might be considered feminine, like wearing nail polish. Surrounded by the supportive presences of his boyfriend and sister, we witness Blake take those first steps, during a day of lazing around in bed, playing video games, and having sex.


Disclosure: Trans Lives on Screen

Disclosure Trans Lives on Screen, Sam Feder, BFI Flare 2020
Sam Feder’s Disclosure: Trans Lives on Screen is one of the best films of the BFI Flare 2020.

The highlight of the festival for me was a film about trans representation, Sam Feder’s documentary Disclosure: Trans Lives on Screen. Feder chose to exclusively interview trans actors and filmmakers, despite the fact that trans characters have historically almost exclusively been written by and played by cisgender people. (This has, of course, been changing in recent years, and many of the interviewees, such as Laverne Cox and Jen Richards, are part of that change.) While Feder’s film is broadly structured as a linear journey through film history, it we occasionally jumps back and forth in time as the interviewees recount their own personal entry points to trans representation, and how key cultural touchstones have influenced their own on screen work. Thus, Disclosure isn’t just a glorified Wikipedia entry, but a history of trans representation of screen as told by actual trans people.


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Filed Under: Documentary, Essays, Film Festivals, Film Reviews, Gender and Sexuality, Social Justice Tagged With: BFI Flare, LGBTQ, Short Films

Orla Smith

Orla Smith is the Executive Editor of Seventh Row, a regular contributor at The Film Stage, and a freelance writer with bylines at JumpCut Online, Cinema Year Zero, and Girls on Tops. In her free time she makes movies.

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