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Brett Pardy / September 16, 2021

TIFF Review: Alanis Obomsawin’s Honour to Senator Murray Sinclair

Alanis Obomsawin’s new short film, Honour to Senator Murray Sinclair, is a powerful presentation preserved on film.

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TIFF Review: Honour to Senator Murray Sinclair

We’re running a daily TIFF 2021 newsletter to give you all our reactions to the best new films as they premiere. Click here to sign up for free.

Alanis Obomsawim’s new short documentary, Honour to Senator Murray Sinclair, premiered at TIFF as part of six programmes highlighting her career. It’s paired with a series of shorts, including her first film, Christmas as Moose Factory (1971), shot at a Moose Factory, Ontario residential “school”. Christmas as Moose Factory is a fitting complement to the new film, which is structured around an award speech by Senator Murray Sinclair, the Chair of the Truth and Reconciliation Commission (TRC). The TRC was active from 2008 to 2015 to document the history and legacies of abuse at such “schools”. The TRC publicized to settlers the previously intentionally ignored history of the “schools”.

Sinclair’s speech is simultaneously a concise history of Canada’s genocide, a clear discussion of his philosophy for working with the TRC, and an emphasis on how to build a better future. Obomsawin intercuts images of historical documents and footage from her prior documentaries to illustrate. Sinclair says, “Children are inherently going to be the battleground of reconciliation going forward”, a battle Obomsawin has spent the latest phase of her career documenting. The short serves as a summary not just of Sinclair’s important work, but also how Obomsawin’s recent work contributes to contemporary Indigenous issues in Canada.

Obomsawin includes insert shots of the audience, and it is striking how this powerful speech is being delivered not to a packed auditorium, but to a relatively small group in an empty classroom at McGill University — primarily faculty and grad students. I’ve been to this type of event many times, but have never seen a speech near as worthy of preservation and a wider audience.

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In Their Own Words: Documentary Masters Vol. 1

We drop you into the minds of some of today’s most influential documentarians, each with very different approaches, to question whether there’s any “right way” to make documentaries.

Find out more
In Their Own Words: Documentary Masters Vol. 1

Filed Under: Canadian cinema, Directed by Women, Documentary, Essays, Film Festivals, Film Reviews, History and Memory, Social Justice Tagged With: Canadian cinema, Documentary, Indigenous, TIFF21, Toronto International Film Festival, Women Directors

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Ep. 109: TIFF 2021, part 1
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TIFF Review: Huda’s Salon is a gripping thriller set in Occupied Palestine

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