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Seventh Row Editors / December 29, 2021

Bonus Episode 20: Belfast and the self-mythologising of Kenneth Branagh

We contextualize Kenneth Branagh’s newest entry Belfast in his decades long self-mythologising project and discuss “the Branagh scale”

Caitriona Balfe, Jamie Dornan, Judi Dench, Jude Hill, and Lewis McAskie in Belfast

This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, Associate Editor Brett Pardy, and regular guest Caitlin Merriman

Want to listen to the episode?

Click here to become a Seventh Row member and get access to this episode, as well as all other podcast episodes older than six months.

Belfast (Kenneth Branagh, 2021)

Because Ken Branagh thinks he is endlessly fascinating, he also thinks his childhood is endlessly fascinating, specifically his experience of it….so decades after losing his Belfast accent and posing as posh in everything he does, he’s decided to out his own Belfast roots via this film, which is in black and white — except, of course, for the movies they go to, which are in colour. Set in the late 1960s at the beginning of The Troubles, we follow Buddy (Jude Hill) as his life faces upheaval. His father, Pa (Jamie Dornan), who works in England and comes home some weekends, is being pressured to fight in The Troubles, which makes him try to persuade the family they should all move to England instead. His mother, Ma (Catriona Balfe), has never known anywhere but Belfast and is afraid to leave, whilst also mostly acting as a single mother and being constantly dogged by Pa’s overdue tax bill. And Pop (Ciarán Hinds) gets terminally ill. Along the way, Buddy discovered musicals and westerns…and imagines his parents are living in them.

Belfast is available on VOD

On this Episode

  • Related episodes (2:25)
  • Why this episode (5:08)
  • Branagh and Shakespeare (6:50)
  • Branagh’s career overview (16:47)
  • Belfast (34:14)
  • The Branagh Scale (40:15)
  • The Oscar acting clips (42:46)
  • Why the film falls short of its potential (43:40)
  • Branagh’s “please notice” directing (51:16)
  • Self-mythologising (54:39)
  • What to watch instead (1:05:15)
  • Conclusion (1:22:00)

Show Notes

  • Branagh did have one of our 2017’s “most ‘hella tight’ line readings”. See the other choices.

Related Episodes

  • Ep. 118: The Souvenir Part I and II
  • Bonus 19: Who is the Poshest Actor in Britain? (Members Only)
  • Ep. 69: Paddington and Paddington 2 (Members Only)
  • Ep. 22: The King attempts to adapt Shakespeare’s Henry V (Members Only)

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Filed Under: Podcasts Tagged With: Alex Heeney podcast, Brett Pardy podcast, British Film podcast, Caitlin Merriman podcast, Orla Smith podcast, Oscar Hopefuls podcast, podcast

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