Alex Heeney reviews Rafaela Camelo’s The Nature of Invisible Things and Čejen Černić Čanak’s Sandbag Dam at Toronto’s InsideOut LGBTQ+ Film Festival: two sensitive films about young people that young people should see.
Interview: Lucio Castro on Drunken Noodles
In this interview, Lucio Castro discusses the total freedom of low-budget filmmaking for his queer Cannes ACID film Drunken Noodles.
Film Review: Pauline Loquès’s Nino at Cannes
Alex Heeney reviews Pauline Loquès’s feature debut, Nino, starring Théodore Pellerin, which screens in the Critics’ Week sidebar at Cannes. The film tells the story of a twentysomething man’s nervewrecking weekend after he’s diagnosed with c
ancer and before he starts treatment.
Film Review: Alice Douard’s Love Letters
Alex Heeney reviews Alice Douard’s debut feature Love Letters, which screens in the Critics’ Week sidebar at Cannes. The film tells the story of a queer woman in 2014 whose partner is pregnant with their child, and the paperwork involved with becoming her daughter’s legal parent.
Interview: Jean-Pierre and Luc Dardenne on The Unknown Girl
Jean-Pierre and Luc Dardenne discuss the making of The Unknown Girl, the sound design, and creating reality on screen.
HotDocs Review: Reid Davenport’s Life After
Alex Heeney reviews Reid Davenport’s new film, Life After, which tackles the troubling trend toward assisted dying for disabled people, including Canada’s own MAiD program.