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Articles by Orla Smith

Orla Smith is the former Executive Editor of Seventh Row, a regular contributor at The Film Stage, and a freelance writer with bylines at JumpCut Online, Cinema Year Zero, and Girls on Tops. In her free time she makes movies.

A still from Dick Johnson is dead in which Dick Johnson lies on the pavement after being struck on the head by an air conditioner. In the foreground of the image is director Kirsten Johnson, who is superimposed onto the still. The image also features the text, 'Interview.'

Orla Smith / October 2, 2020

‘This film is a cemetery’: Kirsten Johnson on Dick Johnson is Dead

Kirsten Johnson discusses Dick Johnson is Dead, her surreal documentary about her father’s dementia, and how it made her think differently about life and death.

A still of JaCari Dye, who plays young Jay, hiding behind a car in Residue. In front of this still is a headshot of director Merawi Gerima. The text on the image states that this is an interview.

Orla Smith / September 25, 2020

Merawi Gerima’s Residue is an ‘archive of a community’ facing gentrification

Merawi Gerima’s directorial debut Residue, which ARRAY Now released on Netflix last Friday, is an impassioned ode to a rapidly gentrifying Washington D.C..

Chloë Grace Moretz in flight officer uniform, carrying a briefcase, in Shadow in the Cloud.

Orla Smith / September 25, 2020

TIFF Review: Shadow in the Cloud is a film of two halves

Shadow in the Cloud is a strange Frankenstein of director Roseanne Liang’s feminist perspective and the ludicrous sensibilities of screenwriter Max Landis, who was removed from the project after numerous sexual assault allegations.

Aida stares at the camera in Quo Vadis, Aida?

Orla Smith / September 16, 2020

TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity

Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…

A woman in a car looks, panicked, behind her shoulder. The car's windscreen is covered in green paint.

Orla Smith / September 15, 2020

TIFF Review: The shallow politics of Michel Franco’s New Order

Michel Franco’s latest provocation, New Order, is a grossly tone deaf bloodbath. Find out why we hated it…

A still from the film Sweat.

Orla Smith / September 14, 2020

TIFF Review: Sweat is one of the first great films about an influencer

Magnus von Horn’s Sweat avoids the cliche of portraying an Instagram influencer as shallow and instead extends empathy to her and her fans.

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