Kirsten Johnson discusses Dick Johnson is Dead, her surreal documentary about her father’s dementia, and how it made her think differently about life and death.
Merawi Gerima’s Residue is an ‘archive of a community’ facing gentrification
Merawi Gerima’s directorial debut Residue, which ARRAY Now released on Netflix last Friday, is an impassioned ode to a rapidly gentrifying Washington D.C..
TIFF Review: Shadow in the Cloud is a film of two halves
Shadow in the Cloud is a strange Frankenstein of director Roseanne Liang’s feminist perspective and the ludicrous sensibilities of screenwriter Max Landis, who was removed from the project after numerous sexual assault allegations.
TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity
Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…
TIFF Review: The shallow politics of Michel Franco’s New Order
Michel Franco’s latest provocation, New Order, is a grossly tone deaf bloodbath. Find out why we hated it…
TIFF Review: Sweat is one of the first great films about an influencer
Magnus von Horn’s Sweat avoids the cliche of portraying an Instagram influencer as shallow and instead extends empathy to her and her fans.