Kitty Green discusses crafting the sound design of The Assistant by recording office sounds and using them to create tension and discomfort.
BFI Flare 2020 highlights: Disclosure and more trans stories
BFI Flare 2020 took place entirely online. Orla Smith highlights Dungarees (dir. Abel Rubinstein) and Disclosure: Trans Lives on Screen (dir. Sam Feder) as the best of the online festival.
Modern westerns: Andrew Haigh and Kelly Reichardt are deromanticizing the west
Andrew Haigh’s Lean on Pete shares DNA with Kelly Reichardt’s westerns (e.g. Wendy and Lucy): both filmmakers are making modern westerns that deromanticize tired western tropes. This is an excerpt from our ebook on Lean on Pete. We will soon publish an ebook on the works of Kelly Reichardt.
Feel Good is a TV rom-com that skips the honeymoon stage
Mae Martin’s Feel Good is a rom-com about addiction and queer identity that’s more interested in staying together than it is in the honeymoon phase.
Review: Kelly Reichardt’s First Cow and dreamers thwarted by capitalism
Kelly Reichardt’s latest film about the myth of the American West, First Cow, follows two men searching for a better life elsewhere that’s always just slightly out of reach.
P.S. We still love you, Lara Jean: Lana Condor’s perfect rom-com heroine
Lana Condor is the shining light at the centre of disappointing sequel P.S. I Still Love You. Why is she the perfect rom-com heroine in the To All the Boys series?