Kitty Green discusses crafting the sound design of The Assistant by recording office sounds and using them to create tension and discomfort. Listen to the …
[Read more...] about The Assistant: Kitty Green on making an office sound sinister
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Orla Smith is the former Executive Editor of Seventh Row, a regular contributor at The Film Stage, and a freelance writer with bylines at JumpCut Online, Cinema Year Zero, and Girls on Tops. In her free time she makes movies.
Kitty Green discusses crafting the sound design of The Assistant by recording office sounds and using them to create tension and discomfort. Listen to the …
[Read more...] about The Assistant: Kitty Green on making an office sound sinister
BFI Flare 2020 took place entirely online. Orla Smith highlights Dungarees (dir. Abel Rubinstein) and Disclosure: Trans Lives on Screen (dir. Sam Feder) as the …
[Read more...] about BFI Flare 2020 highlights: Disclosure and more trans stories
Andrew Haigh's Lean on Pete shares DNA with Kelly Reichardt's westerns (e.g. Wendy and Lucy): both filmmakers are making modern westerns that deromanticize …
[Read more...] about Modern westerns: Andrew Haigh and Kelly Reichardt are deromanticizing the west
Mae Martin's Feel Good is a rom-com about addiction and queer identity that’s more interested in staying together than it is in the honeymoon phase.Feel Good is …
[Read more...] about Feel Good is a TV rom-com that skips the honeymoon stage
Kelly Reichardt’s latest film about the myth of the American West, First Cow, follows two men searching for a better life elsewhere that’s always just slightly …
[Read more...] about Review: Kelly Reichardt’s First Cow and dreamers thwarted by capitalism
Lana Condor is the shining light at the centre of disappointing sequel P.S. I Still Love You. Why is she the perfect rom-com heroine in the To All the Boys …
[Read more...] about P.S. We still love you, Lara Jean: Lana Condor’s perfect rom-com heroine