Philip Barantini’s Boiling Point, starring Stephen Graham, is a one-take film that invites us into a London restaurant’s kitchen on the busiest night of the year.
C’mon C’mon: Mike Mills’s tender drama is sweet if a little unsatisfying
Mike Mills’s latest, C’mon C’mon, is a touching, low-key drama about parenting, featuring a stellar Gaby Hoffman.
The Humans Review: More than just filmed theatre
Stephen Karam adapts his own play with The Humans, a family drama that echoes the joys of theatre while still making ample use of the tools of cinema.
Spencer: A visceral but flimsy portrait of Princess Diana
Spencer, Pablo Larraín’s impressionistic portrait of Princess Diana (Kristen Stewart), takes big swings that rarely hit.
Robert Greene’s career has been building toward Procession
Procession, the latest from documentary filmmaker Robert Greene, is now on Netflix. Here’s why he’s calling it the culmination of his career to date.
Lynne Sachs on Film About a Father Who and a career of personal filmmaking
Eight films by Lynne Sachs premiere on the Criterion Channel today, including her new feature, Film About a Father Who. We sat down to discuss the decades long process of making a film about her father, and how that project relates to her other films about family.