Host director Rob Savage returns with DASHCAM, a new pandemic horror film, featuring a main character as evil as the creatures attacking her.Click here to find …
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Good Madam review: A haunted house in post-Apartheid South Africa
In Jenna Cato Bass's horror film, Good Madam, a Black family's domestic servitude to a white family is the stuff of nightmares.Click here to find all of our …
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TIFF Review: The Mad Women’s Ball is a shallow look at ‘female hysteria’
Mélanie Laurent's The Mad Women's Ball suffers in comparison to Alice Winocour's Augustine (2011), which tackles the same story with more psychological …
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TIFF Review: Scarborough is one of the festival’s most stirring crowdpleasers
Scarborough, from directors Rich Williamson and Shasha Nakhai, is a big-hearted portrait of families in a low-income neighbourhood.Click here to find all of our …
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TIFF Review: Aloners is a melancholy ode to society’s loners
South Korean filmmaker Hong Seong-eun’s Aloners is a low-key film about loneliness and how capitalism takes advantage of depressed people.Click here to find all …
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Designing a journey through Oslo
Jørgen Stangebye Larsen discusses crafting Oslo, August 31st's production design and creating a geographically realistic portrait of the city.This essay is the …