In Daniel Goldhaber and Isa Mazzei's horror film Cam — which premiered at the Fantasia Film Festival in Montreal — the villain isn't sex work, but a …
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Feminist Horror
Cinematographer Jakob Ihre on Thelma: ‘Even in fantastical moments, the light is still naturalistic’
Cinematographer Jakob Ihre discusses adapting to shooting on itital, lighting different characters for a thematic purpose, and how production design affects his …
Director Joachim Trier on his ‘gaze from another place’ in Thelma
Director Joachim Trier discusses Thelma, the dynamic between the subjective and objective gaze, portraying a dysfunctional father-daughter relationship, and the …
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Co-writer Eskil Vogt on Thelma: ‘We’re not happy with movies just being naturalistic. It has to explore cinematic form.’
Co-writer Eskil Vogt discusses approaching genre cinema for the first time in Thelma, depicting characters’ interiority on screen, and his collaboration with …
‘She can be strong, even when she is wearing a bikini’: Director Coralie Fargeat and star Matilda Lutz discuss their feminist rape-revenge film Revenge
Director Coralie Fargeat and star Matilda Lutz discuss Revenge, the stigma around genre cinema, mixing humour and violence, and the way victims are still held …
The Little Girl Who Was Too Fond of Matches reinvents Quebec horror
Simon Lavoie's gorgeous adaptation of the popular Québécois novel, The Little Girl Who Was Too Fond of Matches critiques, subverts, and reinvents the Quebec …
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