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Directed by Women

Explore films by directors who identify as women.

Stephen Puddicombe / June 5, 2020

Mirrah Foulkes’s revisionist Judy and Punch

In Judy and Punch, Mirrah Foulkes wrangles with the legacy of a beloved British cultural institution, offering a revisionist, feminist take on the origins of the Punch and Judy puppet show.

Werewolf, Ashley McKenzie

Orla Smith / May 26, 2020

Werewolf (2016) is a film about getting clean as a couple

Ashley McKenzie’s 2016 film Werewolf, about drug addiction and dependent relationships, was one of the most exciting directorial debuts of the 2010s.

Wendy and Lucy, Lean on Pete, Kelly Reichardt, Andrew Haigh, Modern westerns

Orla Smith / April 8, 2020

Modern westerns: Andrew Haigh and Kelly Reichardt are deromanticizing the west

Andrew Haigh’s Lean on Pete shares DNA with Kelly Reichardt’s westerns (e.g. Wendy and Lucy): both filmmakers are making modern westerns that deromanticize tired western tropes. This is an excerpt from our ebook on Lean on Pete. We will soon publish an ebook on the works of Kelly Reichardt.

Céline Sciamma, Best scenes, Girlhood, Portrait of a Lady on Fire

Seventh Row Editors / March 23, 2020

Ebook preview: Céline Sciamma’s 10 best scenes

From Water Lilies to Portrait of a Lady on Fire, we analyse 10 of Céline Sciamma’s best scenes, revealing what makes her a master. This is an excerpt from our ebook, Portraits of resistance.

Orla Smith / March 12, 2020

Review: Kelly Reichardt’s First Cow and dreamers thwarted by capitalism

Kelly Reichardt’s latest film about the myth of the American West, First Cow, follows two men searching for a better life elsewhere that’s always just slightly out of reach.

Katharine Isabelle, American Mary, Women in Horror Month

Rosie McCaffrey / March 2, 2020

Katharine Isabelle in American Mary (Great horror performances #5)

Rosie McCaffrey discusses why Katharine Isabelle’s performance in American Mary is one of her favourites by an actress in a horror film.

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