Karyn Kusama’s The Invitation is a variation on the “dinner party from hell” film: is our protagonist paranoid, or are they really out to get him?
Directed by Women
Explore films by directors who identify as women.
Chantal Akerman’s final film No Home Movie is a heartbreaking personal essay
Chantal Akerman’s moving cinematic essay is a tribute to her mother, a holocaust survivor, and a subtle exploration of Jewish “suitcase-ready” culture.
Standing Tall is a gritty coming-of-ager told through rose-coloured glasses
Emmanuelle Bercot’s sophomore film is the story of Malony (Rod Paradot), a teenager prone to crime, and the justice system which only wants the best for him.
The politics of sisterhood in Mustang
Mustang, Deniz Gamze Ergüven’s directorial debut, charts five sisters’ resistance, as they both grow into and reject a narrow notion of womanhood. But Ergüven privileges perspectives that a Western audience can understand and approve of, making the story too familiar and incomplete.
Things to Come is a less damning portrait of misfortune than Eden
Berlinale correspondent Elena Lazic examines how Mia Hansen-Løve’s last two films, Eden and L’Avenir (Things to Come), reverse-engineer seemingly cliched stories in order to find the emotional truth and realism buried within them.
Berlinale 2016 preview: a strong year for women on both sides of the camera
Elena Lazic, our Berlinale correspondent, takes a look at the most exciting films in the festival, including films directed by and about women, and films from Canada, France, and ex-Yugoslavia countries.