Miss Impossible (Jamais Contente) is like if We Are The Best! were just about the spunky, outspoken Klara and she joined a band in which she was the only girl.
[Read more…] about TIFF16: Miss Impossible is a crowd-pleasing coming-of-ager
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Explore films by directors who identify as women.
Miss Impossible (Jamais Contente) is like if We Are The Best! were just about the spunky, outspoken Klara and she joined a band in which she was the only girl.
[Read more…] about TIFF16: Miss Impossible is a crowd-pleasing coming-of-ager
Psychological thriller Blind Sun from Joyce Nashawati transports us to a water-scarce dystopian future almost entirely through its color scheme, sound scape, and central performance.
[Read more…] about TIFF16: Blind Sun is a visually and aurally accomplished thriller
Over 60 feature films by female directors will screen at this year’s Toronto International Film Festival (TIFF), most of which are acquisition titles still seeking North American distribution.
[Read more…] about A landmark year for female directors at the Toronto International Film Festival
Although Alice Winocour’s new film Disorder works as a heartpounding home invasion thriller, it’s also a meditation on trauma, paranoia, class, and unfulfilled desire. Read our interview with Alice Winocour about Disorder and Proxima.
Though American Honey took home the Jury Prize at the Cannes Film Festival, our Cannes correspondent Elena Lazic found it cliched and problematic — a disappointment from the very talented Arnold. [Read more…] about Cannes Review: American Honey discards real emotions for pointless objectification
Karyn Kusama’s The Invitation is a variation on the “dinner party from hell” film: is our protagonist paranoid, or are they really out to get him?
[Read more…] about Karyn Kusama’s The Invitation doesn’t stick the landing