Lindsay Mackay’s second feature film, The Swearing Jar, is an existential crisis film with two romances.
Directed by Women
Explore films by directors who identify as women.
Pray for Our Sinners: TIFF Film Review
Sinéad O’Shea’s Pray for Our Sinners is a heart-wrenching and important documentary about the quiet resistance to Catholic rule in Ireland.
Stellar Film Review: It’s the end of the world and the Indigenous leads feel fine
Darlene Naponse’s new film Stellar is about two Indigenous strangers displaced from their land, who meet at a bar on the night the world may be ending.
Stonewalling Film Review: Surviving an unwanted pregnancy
In Huang Ji and Ryuji Otsuka’s film Stonewalling, China’s two-child policy casts a long shadow on twenty-year-old Lynn who finds herself with an unwanted pregnancy — and loses most of her agency along the way.
Quick Thoughts: Violeta Salama’s sensitive Alegría at the Toronto Jewish Film Festival.
Violeta Salama’s warm and sensitive feature debut, Alegría, is exactly the kind of film you look for at a Jewish Film Festival: a travelogue and a story of culture, religion, and family.
Cannes Film Review: Manuela Martelli’s 1976 ratchets up the tension
Manuela Martelli’s feature debut, 1976, which she co-wrote with Alejandra Moffat, is equal parts character study and taut political drama. The film 1976 screened in the Director’s Fortnight sidebar at Cannes 2022.