Céline Sciamma’s Portrait of a Lady on Fire is a beautiful period romance that upends cinematic stereotypes of the artistic muse.
History and Memory
Explore the blurry line between history and memory on screen.
TIFF19 review: Our Lady of the Nile , a heartbreaking look at the corruption of innocence
An innocent utopia foreshadows horrific violence in Atiq Rahimi’s Our Lady of the Nile, one of the best acquisition titles at TIFF19.
TIFF19 review: Comets , a lovely film about memory, missed opportunities, and lost loves
Tamar Shavgulidze’s quiet, lovely Comets is a film about memory, missed opportunities, and lost loves.
Review: Indian Horse and the limits of allyship in adaptation
Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli’s Indian Horse uses the hook of Canada’s national sport — hockey — to grapple with Canada’s darkest policy: the Indian residential school system. Read the rest of our TIFF coverage here.
Review: In Sami Blood, an Indigenous Swedish girl is caught between two worlds
Amanda Kernell’s Sami Blood is an astonishingly accomplished and movie feature debut, which follows an Indigenous Swedish girl caught between two worlds. Read our interview with writer-director Amanda Kernell. Read our review of Kernell’s second feature, Charter.
A tyrant and control freak: the patriarch in Davies’ Distant Voices, Still Lives prefigures the father figures in his later films
In Terence Davies’ films, fathers tend to control the domestic sphere: the abusive patriarch in Distant Voices, Still Lives, based on Davies’ own father, prefigures those of Davies’ later literary adaptations. Editor’s note: This is the fifth feature in our Special Issue on Terence Davies’ A Quiet Passion, which can be read in full here.