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Essays

A mother and daughter stands side by side, arms around each others' shoulders, in Daughter of a Lost Bird.

Orla Smith / May 7, 2021

Daughter of a Lost Bird Review: An Indigenous woman reconnects with her birth mother

In Daughter of a Lost Bird, Brooke Swaney sensitively documents an Indigenous woman reconnecting with her birth mother and coming to terms with how colonial violence has shaped her life.

A collage of various actors who feature in this piece on emerging actors.

Seventh Row Editors / May 4, 2021

Seventh Row’s fifty screen stars of tomorrow

Seventh Row’s editors pick the fifty most exciting emerging actors working today, from Paapa Essiedu to Josefine Frida.

Alex Heeney / April 29, 2021

A virtual 2021 San Francisco International Film Festival

The 2021 San Francisco International Film Festival went virtual and featured highlights such as the Dry, Skies of Lebanon, and In the Same Breath.

A still of Nguyễn Phương Trà My walking up a set of stairs in The Third Wife. The image features text that reads, 'Review'.

Brett Pardy / April 29, 2021

The Third Wife Review: A beautiful and bleak portrayal of patriarchy

Ash Mayfair’s The Third Wife tells the story of a teenage girl whose family marries her off in nineteenth-century Vietnam.

A headshot of actor Théodore Pellerin. Behind and in front of his face is multiple iterations of his last name: Pellerin, each a different shade of purple or yellow.

Justine Smith / April 19, 2021

The elegance and awkwardness of Théodore Pellerin

Rising star Théodore Pellerin (Genèse, Never Rarely Sometimes Always) has the charisma of a leading man and the energy of a scene-stealing character actor. He discusses his career so far.

Alex Heeney / April 6, 2021

Review: Maxine Peake shines in Fanny Lye Deliver’d (The Delivered)

Maxine Peake leads Thomas Clay’s refreshing genre film, Fanny Lye Deliver’d (The Delivered in the US), about a woman’s emancipation.

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