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Essays

A collage of stills of Virginie Efira, Gemma Arterton, Eva Green, Anthony Hopkins, and Riz Ahmed.

Seventh Row Editors / December 27, 2020

The 20 best lead performances of 2020

Seventh Row’s editors pick the 20 leading performances they loved most from the films of 2020. This is the first piece in our 2020 wrap up series.

A still from Slalom, in which a girl holding ski equipment looks disturbed, her face shrouded in darkness. The text on the image says: Review.

Alex Heeney / December 11, 2020

Charlène Favier’s Slalom is a complex exploration of abuse

Charlène Favier’s Cannes-selected debut, Slalom, is a tense pas-de-deux between a 15-year-old professional skiing star, Lyz (Noée Abita) and her coach, Fred (Jérémie Renier).

A still from Charlatan, in which a man holds up a small glass of urine to the light and stares at it, while another main watches him from behind. The text on the image says: Review.

Alex Heeney / December 10, 2020

Charlatan draws parallels between a faith healer and communism

Agnieszka Holland’s Charlatan tells the story of Czech herbalist and healer Jan Mikolášek to draw parallels with post-war communism.

Alex Heeney / December 9, 2020

Sophie Dupuis explores masculinity in a Quebec mine in Souterrain

Sophie Dupuis’s second film, Souterrain, is a thoughtful exploration of the emotional lives of men working in a Quebec mine.

A still of Kingsley from the Small Axe film Education. The text on the image says: Review.

Orla Smith / December 6, 2020

Education Review: Small Axe ends on a note of bittersweet hope

Education, the final film in Steve McQueen’s Small Axe anthology, explores systemic racism in the British schooling system and the West Indian women who organised to combat it.

Two stills stitched together, one of Bette Davis in the 1950 film All About Eve, the other of Gillian Anderson in the 2019 stage adaptation.

B. P. Flanagan / November 27, 2020

All About Eve at 70: A closeup on Joseph Mankiewicz’s classic and its stage adaptation

On the 70th anniversary of Joseph Mankiewicz’s All About Eve, we dissect why Ivo Van Hove’s recent stage revival, and its attempts to be ‘cinematic’, pales in comparison.

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