For our special TIFF17 coverage of On Chesil Beach, we interview Dominic Cooke about the value of rehearsing actors for film and minimizing cuts. Read part 2 of this interview here. Read the rest of our On Chesil Beach Special Issue here.
Essays
David Robert Mitchell’s Under the Silver Lake — Tit Follows
David Robert Mitchell might think his Under the Silver Lake is a critique of misogynistic, pop culture obsessed men — but he ends up validating their worldview.
Sundance docs interrogate the status quo of the art world
Kusama: Infinity and The Price of Everything, two art docs that premiered at Sundance this year, investigate the prejudices and elitism of the art world.
Rachel Morrison’s deeply empathetic cinematography
In Fruitvale Station, Cake, Dope, and Mudbound, Rachel Morrison’s cinematography immerses viewers in marginalized characters’ points of view.
Interview: ‘Cutting to amplify emotion’ in Lean on Pete
Editor Jonathan Alberts discusses the long, painstaking editing process on Lean on Pete, from screening dailies on location, to creating a sound temp track, finding the best takes, choosing minimal cuts, and finding the right rhythm. This is the fourth feature in our Special Issue on Lean on Pete, which is now available for purchase […]
Interview: Colour reveals character in LOP‘s set design
Lean on Pete production designer Ryan Warren Smith discusses how he created rich, detailed environments that subtly reveal character. This is the third feature in our Special Issue on Lean on Pete.