DP Magnus Jønck approached Lean on Pete as a modern western, keeping the focus solely on character and de-romanticising the landscape. This is the second feature in our Special Issue on Lean on Pete, which is now available as an ebook here.
Essays
Andrew Haigh on Lean on Pete: ‘Blocking is everything’
Writer-director Andrew Haigh (Weekend, 45 Years, Looking) on his meticulous blocking and how he used it to express the journey of a boy searching for home in Lean on Pete. This is the first feature in our Special Issue on Lean on Pete which is now available as an ebook companion to the film.
Journey’s End is a thoughtful, modern screen adaptation
Saul Dibb’s adaptation of the acclaimed play sees the source material through a modern lens and makes use of the intimacy unique to the cinematic form.
Review: Indian Horse and the limits of allyship in adaptation
Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli’s Indian Horse uses the hook of Canada’s national sport — hockey — to grapple with Canada’s darkest policy: the Indian residential school system. Read the rest of our TIFF coverage here.
Ramsay’s characters escape trauma through sensations
Lynne Ramsay’s features centre on characters dealing with trauma by losing themselves in sensations, not language. This is an excerpt from our ebook You Were Never Really Here: A Special Issue, which can be purchased here.
A hitman more helpless than heroic
You Were Never Really Here traps us inside hitman Joe’s mind — but he’s an unreliable narrator who is far more helpless than he realises. This is the sixth feature in our Special Issue on You Were Never Really Here.