A place to think deeply about movies
Alice Winocour's Proxima is the best film of 2020 and one of the best films of the decade. To celebrate its North American release, we're publishing a special issue on the film, including interviews with Winocour, her editor, and her sound editor, as well as a pair of essays on the film.
In Proxima, Matt Dillon and Lars Eidinger play the rare male characters who are flawed, privileged, and yet still empathetic. Read more about Proxima.Alice …
[Read more...] about FYC: Matt Dillon’s and Lars Eidinger’s complex portraits of men in Proxima
Valérie Deloof on editing the sound for Proxima, collaboration in post-production, and creating an immersive soundscape. This is the third article in our …
Julien Lacheray, who has edited all of Alice Winocour's features, discusses the collaboration between filmmaker and editor, thinking about sound, and Proxima. …
Proxima director Alice Winocour discusses drawing a connection between motherhood and space exploration. Read more on Proxima >>“The idea of the …
[Read more...] about ‘Astronauts are so fragile’: Alice Winocour on Proxima
This episode presents our Lockdown Film School master class with writer-director Alice Winocour in podcast form. We discuss her three features including the …
[Read more...] about Ep. 64: Lockdown Film School with Alice Winocour
In this episode of the podcast, we compare two films about working mothers — Baby Boom (1987) and Proxima (2019) — to take a look at how things have or have …
[Read more...] about Ep. 51: Proxima and Baby Boom: Working mothers
