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Film Festivals

A still from The New Corporation.

B. P. Flanagan / September 20, 2020

TIFF Review: The New Corporation: The Unfortunately Necessary Sequel is less than necessary

Jennifer Abbott and Joel Bakan’s The New Corporation is a documentary sequel to The Corporation that’s not as radical as it thinks it is.

A still from Point and Line to Plane and an image of director Sofia Bohdanowicz

Justine Smith / September 17, 2020

TIFF Interview: Sofia Bohdanowicz on grief and magical thinking in Point and Line to Plane

Sofia Bohdanowicz’s short Point and Line to Plane is her most personal film to date, a meditation on grief that marks a formal shift for the director. Read her insights…

Aida stares at the camera in Quo Vadis, Aida?

Orla Smith / September 16, 2020

TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity

Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…

A woman in a car looks, panicked, behind her shoulder. The car's windscreen is covered in green paint.

Orla Smith / September 15, 2020

TIFF Review: The shallow politics of Michel Franco’s New Order

Michel Franco’s latest provocation, New Order, is a grossly tone deaf bloodbath. Find out why we hated it…

Still from Shiva Baby, Two of Us, Cowboys, and Monsoon which are all playing at the Frameline Film Festival.

Milly Gribben / September 15, 2020

From Monsoon to Shiva Baby, a preview of the 2020 Frameline Festival

Discover four highlights from the 2020 Frameline Film Festival, an annual showcase for LGBTQ+ storytelling.

Still from 76 Days for a review of the film.

Brett Pardy / September 15, 2020

TIFF Review: 76 Days provides a new lens on the pandemic

76 Days is an urgent documentary about coronavirus pandemic that humanizes the people behind the PPE.

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