Catherine Gund’s Aggie is both a celebration of an extraordinary woman, and a call to arms for the viewer to think about how they too can enact change.
Film Festivals
Sundance ’20 review: Romola Garai’s Amulet
Gothic horror Amulet is a promising directorial debut from actress Romola Garai, but the screenplay is too ambitious for its own good.
Sundance Review: Charter is psychologically complex
Amanda Kernell’s second feature, Charter, toys with the reliability of the protagonist’s perspective, who is herself uncertain, in this psychologically complex study of a broken family.
Sundance ’20 interview: Ariane Labed on her directorial debut, Olla
Ariane Labed speaks about her background as a dancer and why she sees directing as a natural extension of her work as an actress.
Sundance ’20 review: Jumbo and Objectum Sexuality
Noémie Merlant shines as a woman in love with a fairground ride, but Jumbo lacks psychological insight into the real phenomenon of Objectum Sexuality.
Sundance ’20 Review: Summer White (Blanco de Verano)
Rodrigo Ruiz Patterson’s Summer White is a haunting story about a toxic mother-son relationship that gets interrupted by her new beau.