Kioyshi Kurosawa’s latest eerie offering, Daguerrotype, is a well-crafted aesthetic effort with little actual resonance screening in the TIFF Platform competition.
Film Festivals
TIFF 16 Review: I Am Not Madame Bovary
Feng Xiaogang experiments with new aspect ratios in I Am Not Madame Bovary, his caustically funny satire of Chinese bureaucracy. Starring Fan Bingbing, the film feels more like a fable than a realistic tale.
20 must-see TIFF acquisition titles
Make the most of your TIFF experience by catching acquisition titles, films still seeking distribution in North America. TIFF may be your one chance to see these on a big screen.
TIFF16: Below Her Mouth is cringeworthy
Below Her Mouth attempts provocation and frank depictions of lesbian sex, but it forgets the emotion in its love story.
TIFF16: After Love is a tense post-marital drama
After Love, the follow-up to The White Knights from director Joachim Lafosse, is a tense and heartbreaking post-marital drama about a couple with twins who have decided to break up, but haven’t quite managed to sever all their ties, starting with their home.
Poetry and identity in NFB animated feature Window Horses
In Window Horses, writer-director Ann Marie Fleming gets very specific about the alienation her poet Rosie has experienced as a Chinese-Iranian Canadian, and in turn, finds something more universal about displacement and the diaspora.