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Film Festivals

Alex Heeney / January 24, 2014

Sundance Review: Boyhood, or how to grow a masterpiece

By far the best film I saw at Sundance this year was “Boyhood”, the second consecutive masterpiece from writer-director Richard Linklater (“Before Midnight”). Shot in 3-4 day periods over twelve years, it captures the growth of Mason (Ellar Coltrane), from boy to teenager to young adult, in real time. Although the title suggests this is […]

Alex Heeney / September 23, 2013

TIFF 2013 Review: The Disappearance of Eleanor Rigby: Him and Her tells both subjective sides of the dissolution of a relationship

The modern relationship movie has more and more become an attempt to acknowledge that any relationship story has two subjective sides, which must be told. In Hans Canosa’s Conversations with Other Women, the film finds objectivity through a split screen that ensures a camera is on both its characters at all times: it’s a different […]

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