Julien Lacheray, who has edited all of Alice Winocour’s features, discusses the collaboration between filmmaker and editor, thinking about sound, and Proxima. This is the second article in our Special Issue on Proxima.
Department Heads
Costume designers, sound designers, and production designers discuss their artistic choices and explain their collaborative methods.
Lara Johnston dissects her award winning editing on Mouthpiece
Lara Johnston discusses the challenges of editing flashbacks and musical scenes in Mouthpiece.
‘I feel lucky shooting these films’: Chris Blauvelt on shooting for Kelly Reichardt – an ebook preview
Cinematographer Christopher Blauvelt discusses his close collaboration with Kelly Reichardt on all her films since Meek’s Cutoff.
William Tyler on how improvisation led to the First Cow score – an ebook preview
First-time film composer William Tyler deconstructs the instruments and methods used to create First Cow’s gorgeous score.
Sound designer Leslie Shatz on Kelly Reichardt, town sounds, and misbehaving dogs – an ebook preview
Shatz chats about his collaboration with Kelly Reichardt and how they avoid making the “feel good movie of the year.”
‘It’s a really special family’: Costumer April Napier on working with Kelly Reichardt – an ebook preview
Costume designer April Napier (Certain Women, First Cow) on the warm, collaborative environment Kelly Reichardt cultivates on set.