Looking for Grace director Sue Brooks sat down at TIFF15 to discuss how she approached aesthetic, what inspired her to make the film, and the lack of funding for female-helmed films.
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
TIFF15 interview: Ninth Floor director Mina Shum discusses Canadian racism
Ninth Floor director Mina Shum: In Canada, “We’re racist but we like to apologize about our racism.” Shum discusses Canadian racism and her new documentary.
Kris Swanberg on Unexpected, her female-driven pregnancy film
Kris Swanberg’s Unexpected is a quiet film full of small, wonderful revelations about what women go through during pregnancy. Swanberg maintains the perspective of the female characters throughout: the men come and go, but the women are always on-screen, often dealing with pregnancy alone.
Director Shira Piven talks Welcome to Me, Chauncey Gardner, and finding comedic rhythms
Kristen Wiig stars, in Shira Piven’s Welcome to Me, as a woman with borderline personality disorder who wins an 86 million dollar lottery and decides to use her winnings to create her own Oprah-like talk show all about her. The Seventh Row sat down with Piven to discuss her aesthetic approach, the influence of Chauncey Gardner, and finding the […]
Advantageous director Jennifer Phang talks bringing feminist sci-fi to the screen
Writer-director Jennifer Phang’s Netflix film Advantageous is a feminist science fiction film for lovers of French New Wave cinema and intimate family dramas. It deals with issues of race, motherhood, and economic hardship.
SFFS Artist-in-Residence Sally El Hosaini on writing and directing My Brother the Devil
Sally El Hosaini’s directorial debut, My Brother the Devil, is a touching and sensitive story of two Arab brothers in Hackney, London. During her sojourn in San Francisco as the San Francisco Film Society’s Artist-in-Residence, I sat down with El Hosaini to discuss her writing process, working with non-actors, her shoot, and her approach to the film’s aesthetic. […]