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Lana Condor, Lars Jean, PS I Still Love You, To All the Boys I've Loved Before

Orla Smith / March 5, 2020

P.S. We still love you, Lara Jean: Lana Condor’s perfect rom-com heroine

Lana Condor is the shining light at the centre of disappointing sequel P.S. I Still Love You. Why is she the perfect rom-com heroine in the To All the Boys series?

Seventh Row Editors / March 3, 2020

Ep. 32: Sorry We Missed You and Peterloo

Ken Loach and Mike Leigh, two long time British directors, are frequently compared to each other, despite having significantly different approaches. In this episode, Editor-in-Chief Alex Heeney is joined by Executive Editor Orla Smith and Associate Editor Brett Pardy to discuss how Loach and Leigh approach politics, character, and much more.

Katharine Isabelle, American Mary, Women in Horror Month

Rosie McCaffrey / March 2, 2020

Katharine Isabelle in American Mary (Great horror performances #5)

Rosie McCaffrey discusses why Katharine Isabelle’s performance in American Mary is one of her favourites by an actress in a horror film.

Blood on Her Name, Matthew Pope, Bethany Anne Lind

Orla Smith / February 29, 2020

Review: Blood on Her Name thrillingly grapples with cycles of violence

Matthew Pope’s Blood on Her Name is a steely, psychological thriller about cycles of violence. Now available in cinemas and on VOD in the US.

Kristen Stewart, Personal Shopper, Women in Horror Month

Joseph Earp / February 27, 2020

Kristen Stewart in Personal Shopper (Great horror performances #4)

Kristen Stewart uses physical tics as pointedly as lines of dialogue. Her artificial, artfully rendered oddness reveals something naturalism could not.

Lupita Nyong'o, Us, Women in Horror Month

Orla Smith / February 26, 2020

Lupita Nyong’o in Us (Great horror performances #3)

Orla Smith discusses why Lupita Nyong’o’s performance in Us is one of her favourites by an actress in a horror film.

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