Rodrigo Ruiz Patterson’s Summer White is a haunting story about a toxic mother-son relationship that gets interrupted by her new beau.
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Sundance ’20 review: Surge
The sound design in Surge submerges us in a fractured mind, but that doesn’t save the film from feelings like Ben Whishaw’s discarded Joker audition tape.
Sundance ’20 Review: Cuties (Mignonnes)
Maïmouna Doucouré’s Cuties is an often compelling crowd-pleaser, if somewhat under-baked, which looks at how girls end up becoming over-sexualized at a young age.
From funny shit to midnight madness: The best shorts of LSFF 2020
Orla Smith picks eight great film from the 2020 London Short Film Festival (LSFF), one of the funnest film festivals in the UK.
Ep. 26: Our 2019 in review
Editor-in-Chief Alex Heeney and Executive Editor Orla Smith recap Seventh Row’s eventful 2019, discuss our four 2019 ebooks, and preview next year’s slate.
Review: What She Said: The Art of Pauline Kael
What She Said: The Art of Pauline Kael is a good introduction to the legendary film critic, but ignores much of the context and legacy of her work.





