In Cannes, director Jaime Rosales discusses playing with the viewer’s emotions and expectations, balancing a nonchalant acting style with a contrasted dramatic architecture, letting the film belong to the viewers, and more.
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Debra Granik: ‘It is dangerous to tell a story with no villain’
In this interview, director Debra Granik discusses what made her want to turn this story into a film, her non-judgmental outlook on her characters, her research process, and her collaboration with her director of photography and lead actors. This is the first article in our Special Issue on Leave No Trace, which is now available as […]
Review: First Stripes depicts masculinity in training
First Stripes reveals how training designed to equalize recruits ends up reproducing a conservative set of norms.
Brett Haley: ‘Music and creativity bring people together’
Director Brett Haley discusses Hearts Beat Loud and the joy of nice movies about kind people.
Tonie Marshall: ‘Equality at work won’t happen naturally.’
Tonie Marshall discusses workplace sexism as she observed it for her film Numéro Une, and the possibilities for feminism after Harvey Weinstein and in the wake of #MeToo.
Interview: On Chesil Beach‘s sets destabilize its characters
On Chesil Beach production designer Suzie Davies discusses researching period, creating environments that contrast with the film’s characters, and how different her process is when working with Mike Leigh. Read the rest of our On Chesil Beach Special Issue here.