Cinematographer Michael McDonough discusses collaborating with Debra Granik and the actors on Leave No Trace, choosing lenses, reflecting how the characters feel about their environment, and applying his TV experience. This is the second article in our Special Issue on Leave No Trace, which is now available as an ebook.
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‘You have to stimulate the viewers, but also guide them:’ Jaime Rosales on Petra
In Cannes, director Jaime Rosales discusses playing with the viewer’s emotions and expectations, balancing a nonchalant acting style with a contrasted dramatic architecture, letting the film belong to the viewers, and more.
Debra Granik: ‘It is dangerous to tell a story with no villain’
In this interview, director Debra Granik discusses what made her want to turn this story into a film, her non-judgmental outlook on her characters, her research process, and her collaboration with her director of photography and lead actors. This is the first article in our Special Issue on Leave No Trace, which is now available as […]
Review: First Stripes depicts masculinity in training
First Stripes reveals how training designed to equalize recruits ends up reproducing a conservative set of norms.
Brett Haley: ‘Music and creativity bring people together’
Director Brett Haley discusses Hearts Beat Loud and the joy of nice movies about kind people.
Tonie Marshall: ‘Equality at work won’t happen naturally.’
Tonie Marshall discusses workplace sexism as she observed it for her film Numéro Une, and the possibilities for feminism after Harvey Weinstein and in the wake of #MeToo.