It should be difficult to make Jack Unterweger’s story dull: Austrian prostitute-murderer turned prison poet, he became a literary cause-celèbre. He achieved early release from prison in 1990, only to kill himself four years later after being convicted of nine subsequent murders. Yet Elisabeth Scharang’s Jack manages to make a clock-watcher out of this dramatic material […]
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TIFF15: Masterful 3D is vital to the domestic drama in Every Thing Will Be Fine
Whether it’s making you feel like you’re gazing at the Chauvet caves in Southern France in Cave of Forgotten Dreams or making you aware of how small a boy is in a big, scary, Dickensian adult world in Hugo, 3D can be an essential tool for storytelling. Ever since Wim Wenders started using the technology, to […]
TIFF15: Sherpa is an inside look at the Nepalese people who make climbing Everest possible
With Sherpa, Australian filmmaker Jennifer Peedom revisits the story of Everest, but in present day and from the Sherpas’ perspective instead of that of the Westerners who hope to conquer it.
TIFF15: Our Loved Ones depicts cycles of family grief
Our Loved Ones wrestles with the path to adulthood, memory, and family obligation.
TIFF15: The Rainbow Kid respectfully depicts disability
The Rainbow Kid addresses both the ways in which disability can be a limitation and a difficulty without presenting it as utterly debilitating.
‘The VVitch’ explores interesting ideas but disappoints
Nothing is more terrifying than a teenage girl, except perhaps the mysterious witch of the woods. There’s also no better scapegoat. Such is the premise of writer-director Robert Eggers’ masterfully directed but disappointingly dull psychological horror film, “The VVitch” set in seventeenth century New England. When the patriarch William (Ralph Ineson with lengthy, curly, Jesus-like […]