Charlène Favier discusses her debut feature film, Slalom, which depicts childhood sexual abuse in the world of high level sports, a world Favier knows from personal experience.
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Everything in the End: Mylissa Fitzsimmons on making her no-budget feature debut
Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only $30,000.
Ep. 90: Jeanne Dielman and Les Rendez-vous d’Anna: A Chantal Akerman mother’s day
We celebrate Mother’s Day with queen of on-screen mothers, Chantal Akerman, and her films Jeanne Dielman and Les Rendez-vous d’Anna
Seventh Row’s fifty screen stars of tomorrow
Seventh Row’s editors pick the fifty most exciting emerging actors working today, from Paapa Essiedu to Josefine Frida.
A virtual 2021 San Francisco International Film Festival
The 2021 San Francisco International Film Festival went virtual and featured highlights such as the Dry, Skies of Lebanon, and In the Same Breath.
The Third Wife Review: A beautiful and bleak portrayal of patriarchy
Ash Mayfair’s The Third Wife tells the story of a teenage girl whose family marries her off in nineteenth-century Vietnam.