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Alex Heeney / April 23, 2021

Dominic Cooke on the heightened reality of The Courier

Dominic Cooke discusses his second feature, The Courier, stealing from Hitchock, heightened realism, creating articulate shots, and his forthcoming Follies adaptation.

A still from Nadia Butterfly next to a headshot of cinematographer Stéphanie Anne Weber Biron. The text on the image reads, 'Interview'.

Orla Smith / April 23, 2021

Cinematographer Stéphanie Anne Weber Biron’s colourful visual worlds

Stéphanie Anne Weber Biron was recently nominated for a Canadian Screen Award for Nadia, Butterfly. We speak to her about shooting that film and Andrea Dorfman’s Spinster.

Seventh Row Editors / April 21, 2021

Ep. 88: The 2021 Oscar Best International Feature Category

The 2021 Oscar Best International Feature nominees have been revealed. But were these the best international films of the year? Find out on this episode covering the nominees, the shortlist, and the notable snubs.

A headshot of actor Théodore Pellerin. Behind and in front of his face is multiple iterations of his last name: Pellerin, each a different shade of purple or yellow.

Justine Smith / April 19, 2021

The elegance and awkwardness of Théodore Pellerin

Rising star Théodore Pellerin (Genèse, Never Rarely Sometimes Always) has the charisma of a leading man and the energy of a scene-stealing character actor. He discusses his career so far.

Orla Smith / April 16, 2021

Michael O’Connor on the joy of crafting true-to-life costumes in Ammonite

Oscar-winning costume designer Michael O’Connor discusses the gorgeous period costumes in Ammonite, which illuminate character and class just as much as the film’s dialogue.

Alex Heeney / April 14, 2021

‘It was always about making you feel unsafe’: Oliver Hermanus on Moffie

South African auteur Oliver Hermanus on his 1981-set film, Moffie, about how the army indoctrinated conscripted boys with white supremacy and homophobia.

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