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A still from Slalom, in which a girl holding ski equipment looks disturbed, her face shrouded in darkness. The text on the image says: Review.

Alex Heeney / December 11, 2020

Charlène Favier’s Slalom is a complex exploration of abuse

Charlène Favier’s Cannes-selected debut, Slalom, is a tense pas-de-deux between a 15-year-old professional skiing star, Lyz (Noée Abita) and her coach, Fred (Jérémie Renier).

A still from Charlatan, in which a man holds up a small glass of urine to the light and stares at it, while another main watches him from behind. The text on the image says: Review.

Alex Heeney / December 10, 2020

Charlatan draws parallels between a faith healer and communism

Agnieszka Holland’s Charlatan tells the story of Czech herbalist and healer Jan Mikolášek to draw parallels with post-war communism.

Alex Heeney / December 9, 2020

Sophie Dupuis explores masculinity in a Quebec mine in Souterrain

Sophie Dupuis’s second film, Souterrain, is a thoughtful exploration of the emotional lives of men working in a Quebec mine.

Seventh Row Editors / December 8, 2020

Ep. 69: Paddington and Paddington 2

On this week’s episode, we discuss why our hearts were warmed by the wonderful Paddington films. Our answers are wild and spurred much debate, particularly around marmalade.

A still of Kingsley from the Small Axe film Education. The text on the image says: Review.

Orla Smith / December 6, 2020

Education Review: Small Axe ends on a note of bittersweet hope

Education, the final film in Steve McQueen’s Small Axe anthology, explores systemic racism in the British schooling system and the West Indian women who organised to combat it.

A still from Ammonite behind a headshot of director Francis Lee. The text on the image says: Interview.

Orla Smith / December 4, 2020

Francis Lee on Ammonite and the voiceless women of history

Francis Lee discusses excavating the life of paleontologist Mary Anning in Ammonite, and how he used sound design to immerse us in her world.

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