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An Indigenous man in a traditional headdress surveys the landscape in Inconvenient Indian. In the foreground of the image is director Michelle Latimer. The text on the images reads 'Interview'.

Alex Heeney / September 22, 2020

TIFF Interview: Michelle Latimer on Indigenous agency in Inconvenient Indian

Michelle Latimer discusses Inconvenient Indian, her award winning essay film, and reclaiming cultural images of Indigenous people.

A collage of different critics who participated in Seventh Row's survey and images of the films they nominated.

Seventh Row Editors / September 22, 2020

What were the best films at TIFF ’20? A critics survey

Critics pick the best films of TIFF ’20 in this survey, from Nomadland to Another Round to Quo Vadis, Aida?.

Seventh Row Editors / September 22, 2020

Ep. 58: A look back at TIFF 2020, part 1

In this episode, we discuss highlights of TIFF 2020, from buzzed-about films like Ammonite and Nomadland to lesser known hidden gems.

A couple embraces in Naomi Kawase's True Mothers.

Alex Heeney / September 22, 2020

TIFF Review: True Mothers explores the trauma and shame of motherhood

True Mothers is one of Naomi Kawase’s best films to date, a thoughtful drama about the shame associated with unconventional motherhood.

A man sits in a darkened room surrounded by newspapers in The Best is Yet to Come.

B. P. Flanagan / September 20, 2020

TIFF Review: The Best is Yet to Come is a freelancer’s wet dream

Jing Wang’s directorial debut, The Best is Yet to Come, is a middle-of-the-road story on the value of journalism has little new to offer.

A still from The New Corporation.

B. P. Flanagan / September 20, 2020

TIFF Review: The New Corporation: The Unfortunately Necessary Sequel is less than necessary

Jennifer Abbott and Joel Bakan’s The New Corporation is a documentary sequel to The Corporation that’s not as radical as it thinks it is.

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