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A still from The New Corporation.

B. P. Flanagan / September 20, 2020

TIFF Review: The New Corporation: The Unfortunately Necessary Sequel is less than necessary

Jennifer Abbott and Joel Bakan’s The New Corporation is a documentary sequel to The Corporation that’s not as radical as it thinks it is.

Alex Heeney / September 17, 2020

TIFF Review: Bandar Band is a road trip through the 2019 Iran floods

The 2019 Iran floods are the backdrop of director Manijeh Hekmat’s often lighthearted film, Bandar Band.

A still from Point and Line to Plane and an image of director Sofia Bohdanowicz

Justine Smith / September 17, 2020

TIFF Interview: Sofia Bohdanowicz on grief and magical thinking in Point and Line to Plane

Sofia Bohdanowicz’s short Point and Line to Plane is her most personal film to date, a meditation on grief that marks a formal shift for the director. Read her insights…

Aida stares at the camera in Quo Vadis, Aida?

Orla Smith / September 16, 2020

TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity

Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…

A woman in a car looks, panicked, behind her shoulder. The car's windscreen is covered in green paint.

Orla Smith / September 15, 2020

TIFF Review: The shallow politics of Michel Franco’s New Order

Michel Franco’s latest provocation, New Order, is a grossly tone deaf bloodbath. Find out why we hated it…

Seventh Row Editors / September 15, 2020

Ep. 57: Misbehaviour and British revolution ensemble films

On this week’s podcast we contextualize Philippa Lowthorpe’s new film Misbehaviour as part of a trend of British social activism films starring amazing ensemble casts. We discuss complicating history to move beyond just feel good films, why these films are particularly popular in Britain, and many of our favourite actors.

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