Writer-director Graham Foy discusses his feature film debut, The Maiden, using duration, naturalism, and magic realism to tell a coming-of-age story of loss.At …
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‘The Book of Mormon’ brings religious satire to Broadway San Jose
“You’re making things up again, Arnold. You’re taking the holy word and adding fiction,” croons Arnold’s father with disappointment. His nineteen-year-old son, …
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Hello Destroyer explores the thin line between hockey menace and model
Kevan Funk's Hello Destroyer is a hockey movie where the drama is not in the game, but in how its violence has consequences that ripple off the ice. …
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TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity
Orla Smith's review of Jasmila Žbanic's Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, and one of the best films of TIFF 2020. Keep up to …
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Sally Potter’s The Party is a dynamic, witty ensemble film
The premise of The Party — seven characters trapped in a house, for 71 minutes, as secrets are revealed and lives potentially irreparably changed — sounds like …
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Eva Riley on Perfect 10, her touching sibling story disguised as a sports film
Writer-director Eva Riley on Perfect 10's tumultuous journey from script to screen, and how she realised she wasn't making a sports or a crime movie but a story …
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