…the building, she gets increasingly stubborn about standing her ground. As this real estate battle plays out, we also get a glimpse into Clara’s day-to-day life, her relationship with her…
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What does Canada’s Top Ten of 2016 say about Canadian Cinema?
…change from tradition, this year’s list had only one documentary, Angry Inuk, while last year’s featured three. The state of Canadian Cinema in 2016 Still from It’s Only the End…
Québecois writer-director Anne Émond talks Nelly
…Nelly Arcand (Mylène MacKay), Nelly is a gorgeous, tactile, stylized film about a woman who was in a constant state of performance, obsessed with how people saw her. She started…
Director Ramona Diaz talks Motherland and life in the maternity ward
…women from intake to discharge as they go through giving birth and taking care of their newborns. Along the way, we learn about their lives, their culture, and the state…
‘No desire if it’s not forbidden’: Dread, eroticism, and text messaging in Personal Shopper
…this dialogue consequently allows Maureen to develop a fast intimacy with the texter. This problematizes the sequence: if the messenger is not in fact Lewis, then Maureen’s vulnerable emotional state…
Review: The Public Theater takes a joyous, bare bones Twelfth Night on the road
The Public Theater Mobile Unit brings Shakespeare’s farcical romance of mistaken identities, Twelfth Night, to prisons, community centers, and more in New York State. Photo by Joan Marcus The Public…