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Cannes 2022

Alex Heeney / May 27, 2022

Cannes: Marie Kreutzer’s film Corsage finds the Empress in an existential crisis

Marie Kreutzer's film Corsage, which premiered in the Un Certain Regard sidebar at the Cannes Film Festival, reframes the story of Empress Elisabeth of Austria …

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Seventh Row Editors / May 25, 2022

Women at Cannes Ep. 3: Céline Sciamma at Cannes

On today's episode of the podcast, we discuss the incredible Céline Sciamma, her relationship to the Cannes Film Festival, and why she's one of the best working …

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Alex Heeney / May 24, 2022

Cannes: Erige Sehiri’s Under the Fig Trees is a thoughtful day Tunisian drama

Set over the course of one day, Erige Sehiri’s narrative feature debut Under the Fig Trees (Sous les figues) is a thoughtful ensemble film about the group of …

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Alex Heeney / May 23, 2022

Cannes Review: Céline Devaux’s Everybody Loves Jeanne is a delightful anti-rom-com

Céline Devaux's feature debut, Everybody Loves Jeanne, is wild, hilarious, sweet, and chaotic: a delightful anti-rom-com. It screened in the Cannes sidebar …

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Alex Heeney / May 23, 2022

Cannes Review: Chie Hayakawa’s Plan 75 is a devastatingly unsentimental triumph

Chie Hayakawa's Plan 75 is a plea for empathy amidst broken systems that leave the most vulnerable and elderly. The film premiered in the Un Certain Regard …

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