• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • The Long Take
  • The Long Arc: Looking Season 1
  • The Deep Focus
    • The Deep Focus: Oslo, August 31st
    • The Deep Focus: Lean on Pete
    • Indecisions and revisions: The Worst Person in the World
  • The Deep Focus: The Worst Person in the World

Documentary

Alex Heeney / August 15, 2014

People with dementia are more Alive Inside than you might expect

“Alive Inside” opens on a ninety-year-old woman, sitting in a chair set against a black background, explaining that she can’t remember anything. The setting is very deliberate: she suffers from dementia, and as the film will argue repeatedly throughout, people with dementia in nursing homes live in a world devoid of meaning. We watch her start listening to Louis Armstrong’s “When the Saints Go Marching In,” and she lights up, telling us it reminds her of her school days. Then, the film cuts to an old black-and-white film strip, a stand-in for the kinds of memories the music must be evoking. The stories of her life start pouring out. What the social worker Dan Cohen discovered is that music seems to unlock a previously inaccessible world of memories for people with dementia, and “Alive Inside” follows his journey to bring this joy to more people.

How to Grow a Band

Alex Heeney / February 19, 2014

Review: Mandolinist Chris Thile and The Punch Brothers reinvent bluegrass in How to Grow a Band

Is it possible to have a successful band when its members may not be musical equals, even if they are all very talented virtuosos? It was a central question in Cameron Crowe’s film Almost Famous about the often bickering, fictional band Stillwater, which had a guitarist who had musically surpassed his peers. Since it was also […]

Alex Heeney / February 14, 2014

‘Tim’s Vermeer’: Did Vermeer use lenses and mirrors?

In a time when painters were rigourously trained, how did the untrained Johannes Vermeer (1632-1675) create such luminous, lasting masterpieces? According to inventor-techie Tim Jenison, he may have been equally adept at tinkering and made use of optical devices to help create a realistic look. Jenison sets out to prove this theory in Teller’s new […]

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 31
  • Page 32
  • Page 33

Footer

Support Seventh Row

  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2026 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account